Thursday, December 11, 2014


Big Fat Book December Update: The Game of Kings


I. AM. DONE.

The Big Fat Book Project of reading The Game of Kings, the first book in the Lymond Chronicles, by Dorothy Dunnett is over. I have listened to the audiobook, read the paper copy twice, and read the companion The Ultimate Guide to Dorothy Dunnett's The Game of Kings by Laura Ramsey.

For reference, here are my July, August, September, October, and November updates.

What an experience this has been—exhausting and exhilarating at the same time. For a text of this complexity in characterization, plot, and prose, this type of close reading was the best way to appreciate it. Doing any one thing would've made the experience so much poorer.

I have lived with the story for more than four months now. Scarcely has a day gone by when I have not thought of Lymond and his unceasing activities. I have endlessly debated the intentions behind everything that he does and utters. He is moralistic in his own way and has feelings just like anyone else. Nothing about him is obvious; sometimes, he is obscure even to himself.

I cannot say I like him. However, lack of likeability has not hampered my identifying him as the hero of his tale. Without Lymond, the story dwindles to nothing. He's larger than life and affects everything even when he's off-stage. Every person, every event in the story is a puppet under Lymond's control. His grandiloquence set against his vulnerability and his passion are what save him from being an out and out villain in his own story.

Lymond's, and Dunnett's, astonishing intellectual gifts are far more appreciable with the companion guide. What is also appreciable is the depth of research and historical authenticity Dunnett brings to this tale.

Samuel Gilles's reading added so much depth and texture to the emotional content of the story. He made the characters come alive as individuals, each with their own motivations and hang-ups. His reading was part of what delivered the redemption of Lymond's character to me.

This is historical fiction at its finest. The story is peopled with real historical people interacting with fictional people. At no point does anyone step out of character, time, or place. You could not take any of the characters out, displace them in time and place, and expect the story to remain unchanged. This was key for me. This story, these fictional characters could not have existed in any other time or place.

Friday, December 5, 2014


Picture Day Friday: Canterbury Cathedral


I can only link to the virtual tour of the Canterbury Cathedral, not reproduce is here. But it is worth going over there for a look-see. Magnificent!

Friday, November 28, 2014


Picture Day Friday: Garden at Stourhead, Wiltshire, England


Stourhead in Wiltshire, England has one of the world's finest 18th-century landscaped gardens with classical and gothic follies, a lake, bridge, and other such small structures in addition to the parkland.

Tuesday, November 25, 2014


Big Fat Book November Update: The Game of Kings


Reporting progress on my Big Fat Book Project. What started out as a large project of listening to the audiobook has turned into a gigantic project: listening to the audiobook, two reads of the book, and a read of the detailed companion guide.

I've progressed swimmingly this month with my listening of The Game of Kings by Dorothy Dunnett and the re-reading of the book. Correspondingly, I have been progressing along in the reading of the companion The Ultimate Guide to Dorothy Dunnett's The Game of Kings by Laura Ramsey.

Last month, my exercising had been brought to a halt by a worsening old injury on my right knee. I am happy to report that said knee is doing a little better now with physical therapy. While I'm not back to exercising, the progress on the audio front is proceeding apace. I still have a ways to go before my December 31 deadline.

Having read, er, devoured, the paper copy last month, I thought that this month's listening would be an exercise in going through the motions. I already knew what was going to happen. Where was the newness, the discovery in that? Well, for one, I had discounted the fact that I was consuming the companion guide at the same time. Knowing all the previously-unknown material meant that I understood the complexity of the plot and Lymond's character far better.

Secondly, I had not taken into account performer Samuel Gillies's excellent reading. His interpretation of the characters' personalities added to the richness of the tapestry of Dunnett's prose.

And lastly, I had forgotten, in my paper copy reading, how very complex the story truly is. It was more work for me to keep the facts in my head during the listening since I didn't have the luxury of leafing back to re-read, nor did I like having to repeatedly stop/rewind/re-listen. So having read the story once and continuing to re-read it and to read the companion guide alongside helped to hold the facts at the forefront of my mind as I listened.

The companion guide is marvelous! What a treasure trove of myriad details. I had been impressed with Dunnett's library and knowledge before I read the companion guide, and now I'm even more impressed. How did she retain all those arcane snippets of information and then sift through her brain to find them just at the right moments?

Back to the guide, first up is a detailed list of all the characters, historical or fictional, with basic information on their titles, roles, and relationships. The guide's list of characters is far better than Dunnett's list of characters. I have always thought that the titles of the aristocracy were confusing, but this list of characters makes it even more so.

As an aside, when I looked at the list, I wondered when the "Master of" title became deprecated in history. It is used as a secondary title for either an heir or a younger son, as far as I can tell. However, when did it fall into disuse? By the time the Regency comes around, there's no "Master of" title, though courtesy titles were often granted to the heirs.

One of the best features of this companion guide is a detailed timeline of the events in the book. Another handy timeline is Lymond's backstory. If you read these two lists, you'll have the Cliff Notes version of the story. However, if you're reading Dunnett's book for the first time, I would not recommend that you read either of these two lists first. Treat yourself to the luxury of discovering the story as you read along.

As far as the main portion of the guide goes, nearly 350 pages, it is full of fascinating information. For example, I learned that the opening quotes of each of the chapters of Dunnett's book are either from The Game and Playe of the Chesse by William Caxton (1415–1492) or from The Book of the Customs of Men and the Duties of Nobles AKA The Buke of Ye Chess by Jacobus de Cessolis (1250–1322).

On the first page, a fragment of a sentence, ...the Sea-Catte reached Scotland from Campvere..., is explained as follows: "Campvere, a fortified seaport of the Netherlands on the islands of Walcheren, was once of considerable commercial importance as all goods sent from Scotland to the Netherlands were held there until sold."

A stray line such as, Tonight the Castle on its pinnacle was fully lit..., has an explanation of the origins of Edinburgh Castle, its history, where it's located on the map of Edinburgh, its relationship to Holyrood Abbey/House/Palace, and a map of a bird's-eye view of the English attack on Edinburgh and Holyrood in 1544.

A reference to the Battle of Solway Moss (November 24, 1542) cites the history of the battle and includes the roles the historical and fictional characters on the battlefield and off it.

Detailed biographical information about the central historical characters is included along with photographs. In general, almost every page is accompanied by a picture depicting the person, event, or thing being talked about.

As I said before, this guide is simply marvelous. If you really want to understand the plethora of off-the-cuff remarks and quotations in Dunnett's book, this guide is indispensable.

[For reference, here are my July, August, September, and October updates.]

Monday, November 24, 2014


How To Tell If You Are In a Regency Romance Novel


I was breathless with laughter as I read THIS! I had to share it with you all.

Friday, November 21, 2014


Picture Day Friday: A Medieval Multitasker


This is what it means to be a multitasker working on multiple screens medieval style. This is a painting of Venetian (then French) author Christine de Pizan (1364–1430), who was known as a proto-feminist of her day.

Here's what Wikipedia has to say about her: "She served as a court writer for several dukes (Louis of Orleans, Philip the Bold of Burgundy, and John the Fearless of Burgundy) and the French royal court during the reign of Charles VI. She wrote both poetry and prose works such as biographies and books containing practical advice for women. She completed forty-one works during her 30-year career from 1399–1429."

Pretty, pretty impressive!